On page 82 of Invisible Cities, a symbolic lesson of life is portrayed through a
bridge. Marco Polo starts to describe a specific bridge stone by stone. Kublai
Khan (as well as I) wondered what is so magnificent about this bridge, of each
and every rock, which is the grand one? Marco answers: “The bridge is not
supported by one stone or another, but by the line of the arch that they form”
(82). This clearly leaves Kublai Khan bashful and thoughtful, for the arch is
the only thing that matters in his perspective. This is where we are all wrong.
In life we tend to focus on the big picture, we discredit those small details
that make a true difference in the outcome of anything we know of. In the technological
sector of society; Apple, Conoco Phillips, Ford Motors, and other companies
stand out as large corporations on a global scale in the worlds market. But who
or whom are the people overshadowed by these big names? Are they given any
credit for what they have created? In most scenarios the answer is no. Their
names are barely mentioned, and yet they are the masterminds behind the
millions of dollars the companies produce. This is only one of the many
examples where society reacts just like Kublai Khan towards the stones in the
bridge. The same idea can be seen later on in the text when the traveler begins
to describe the city of Phyllis. He rejoices every window, every kind of
pavement embedded in the sidewalks, and the fortress walls. “Happy the man who
has Phyllis before his eyes each day and who never ceases seeing the things it
contains…” (90), here the traveler is hypnotized by the city itself, so much
that he decided to stay. This is when he stops seeing the big picture and
notices the rose windows, the statues on corbels, the pantones of sunlight, a
bench, a hole that you stumble upon, each on a detailed level.
You start to realize those simple yet
meaningful aspects of the city that are what truly make it so peculiar. Acknowledging
every route and soon enough every footstep becomes crucial in the understanding
of the city. It all comes down to the same message, that “without stones there
is no arch.”(82)
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